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A few weeks later, she gave a concert at the White House, where President Franklin D. On April 9, 1939, following the DAR's snub, Anderson sang in front of the statue of Lincoln before 75,000 people and millions of radio listeners. Anderson toured Europe again, and through 1938, gave about 70 performances a year. On December 20, 1935, Anderson appeared at New York’s Town Hall for a second time and was a huge success. While in Europe, she signed another contract for American performances. Despite that success, Anderson still performed mainly for black audiences.Īnderson traveled to Europe and remained there until 1935, performing for numerous audiences and royalty as well. In March 1930, she performed at Carnegie Hall, becoming the first black female to do so. That gained Anderson a contract when an impresario, Arthur Judson, heard her perform. After beating 300 other contestants, she sang in New York’s amphitheater with the Philharmonic Orchestra. In 1925, Anderson entered the Lewisohn Stadium competition. When he heard Marian sing “Deep River” for the audition, he was moved to tears. Shortly after graduating, however, Marian's principal enabled her to meet Guiseppe Boghetti, a highly sought-after teacher. After graduating at age 18, she applied for admission to a local music school, but was harshly rejected because of her color. Marian graduated from South Philadelphia High School after focusing on music and singing frequently at assemblies. Anderson and the girls moved in with John’s parents. When Marian was a young girl, her father died from a head injury suffered at work.
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Marian Anderson was born in Philadelphia, Pensylvania, in 1897, to John and Anna Anderson. Four years later, Anderson was invited by the DAR to sing at a benefit for the American Red Cross. The snub had generated a great uproar, and thousands of DAR members resigned, including Eleanor Roosevelt. The concert began with a stirring rendition of “America.” The event had been arranged by First Lady Eleanor Roosevelt and Secretary of the Interior Harold Ickes, after the Daughters of the American Revolution (DAR) banned Anderson from singing in Constitution Hall. Marian Anderson was an African-American contralto, best remembered for her performance on Easter Sunday, 1939, on the steps of the Lincoln Memorial in Washington D.C.